you know what i noticed?

sherlock is *less* rude to his father than he is to his mother.

when mummy displayed the slightest bit of affection for sherlock (in the form of a caress to the cheek) he immediately sought to remove himself from the interaction, as opposed to when his father displayed affection through his concern for Sherlock’s friends, sherlock simply acknowledges daddy’s sentiment without so much as a second thought.

this observation leads me to believe that sherlock may have spent more time around his father as opposed to his mother, alluding to how he ought to interact with the world given that his father seems to lack social skills as well.

just a thought

it could also lend to the fact that, when his mother was giving affection, it was to him, both times that we see her do it — the one time at 221B and the second time when she threatens to become “absolutely monstrous” towards whomever shot him. But when it’s Sherlock’s father, he’s giving concern to Sherlock’s friends, to John and to Mary, to people that he connects with and relates to. He cares about them, and so anyone who reflects that care towards them, he will accept the sentiment because he feels it too

Now I’m just imagining the Holmeses as young parents:

Mummy - genius, but not very good with kids, so she reads tons of parenting books because she really wants to do a good job (no matter how often Daddy Holmes tells her she’ll do just fine), and the books say that if a child isn’t shown affection by their mother, it gives them all sort of complexes, so she makes a deliberate effort to be affectionate to her children every day…even though she’s a bit rubbish at it, she keeps trying because she believes it’s important.

Whereas, Daddy Holmes simply notices that Sherlock doesn’t like physical affection (witness his cringe when Angelo grabs and hugs him in the restaurant), so he shows his love by verbal compliments instead. (“Well done, Sherlock.” “How extraordinary. Did you do that all by yourself?”)

What I think is even more interesting is how this plays itself out when Sherlock grows up. I reckon Sherlock is much more like his mum temperamentally, which we can see in his awkwardness when Archie and Anderson hug him: “OMG physical contact is expected of me in this situation I have to do something there I patted them that counts right?”

Whereas John, upon hearing Sherlock’s deducing skills for the very first time, responds with a verbal compliment, exactly like Daddy Holmes: “that’s extraordinary.” And Sherlock lights up like a candle.

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If there’s one thing they’re good at, it’s saying goodbye to one another.

Drew this in answer to the post about them holding hands during the cell scene. Needless to say, I’m pretty sure they did too.

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sherlock laying on the couch naked waiting for john to come back from the clinic like


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Happy (very late) Beefday, beeb Falka. <3 Here’s your problematic gay rudby/ballet babies <3

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seems legit

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The Manipulation by Mary Morstan.


It struck me that from the beginning there was something fishy about Mary.


Mary pretends not to recognise Sherlock. Even if we look at Mary here without knowledge of her past as revealed later in HLV, Mary is not believable. Let’s say she is an ex assassin, running from that life, assuming a new identity as a nurse and just happens to fall for one of the doctors in the practice. She supports her new boyfriend through his grief from losing his best friend, even pays respect at said dead friends grave. Who amongst us would NOT have googled Sherlock Holmes? It’s what we do when we enter a new relationship, we have a need to know about that person. Especially an issue which is badly affecting our new partner. Plus we have the fact that dead best friend was famous. OK, wow, photos and news reports are available. It’s not like Sherlock is any run of the mill looking dude here; he is damn unique, you wouldn’t forget that face in a hurry. Plus there is innuendo concerning your new boyfriend and his dead best friend; hints of a gay romance, enough to put any new girlfriend’s gaydar into operation. Yet when dead best friend arrives as a waiter at your table one evening, and your boyfriend is having an emotional crisis on the other side of that table, you look at the waiter and don’t know who this is? We know Mary is a smart cookie, observant, and yet she struggles to recognise the man before her? Fishy.


Then Mary suprizingly takes Sherlock’s side in the ensueing fight between Sherlock and John. She is not outraged that her boyfriend has been duped, hurt, manipulated, oh no, Mary begins to support Sherlock. By the time we reach the kebab shop we have John feeling alone, with Mary and Sherlock in some weird union of sorts.


Mary is acting as if John is behaving outrageously, she is giving Sherlock signals that she is agreeing with him, lulling him into a sense of simpatico. 

Outside the kebab shop Mary choses to remain with Sherlock while John goes to flag a cab. She offers Sherlock help in bringing John around and back to Sherlock. She KNOWS exactly how to work Sherlock.


And how to work John.


The next we see is Mary teasing John about meeting Sherlock again, in a way that is filled with some vague sexual tease. Mary sounds like she is talking to a girl friend here about seeing a guy that the friend is interested in. It is almost as if Mary is using the sexual tension John feels for Sherlock to move him as a chess piece on the board. Move him into position. 


Mary easily outwits both these men and by the time we see her ensconced in 221B, she has won. She has both men exactly where she needs them to be, in fact Mary is relishing her role, flaunting her power of observation and manipulation. The scene is demeaning towards the men and disturbing in it’s blatant power dynamic; a third party has moved in to the world of Sherlock and John and utterly destroyed the very heart of who they are. No wonder we get the image of a ‘horned devil’ at scene end.


Finally the coup de grâce, the wedding. Mary keeps on twisting that knife into Sherlock’s heart, and is openly gleeful about the effect she is having on him. Sherlock tries to strike back, his best man’s speech is a triumph of a love letter to John, he undergoes a life changing self revelation in the midst of it, he summons John back to him in several ways, he almost pulls off a ‘hail Mary pass’. But then Mary brings out the big guns, her secret plan for a wedding gift to Sherlock; she allows Sherlock to deduce her pregnancy. Check mate. 

Looking at Mary from a non-Johnlock perspective, I can admire her skill and planning, what I cannot see is a woman in love. It is only in HLV when her need for John surfaces that I finally see true emotion in the character. Her desperation to keep John and her fake life is Mary’s defining emotion, and it is selfish, reckless and rings very true. It is the only real emotion I believe we see from Mary in S3. Everything else reads as manipulation toward a goal, as CAM says she is a very clever, very bad girl. I can admire that from a distance. As a Johnlocker I just need John to start fighting, not Sherlock, John. Because by the end of HLV John knows he’s been played, John knows he made the wrong choice, John needs to sort this.   


sherlock telling john he needs to pretend to be his boyfriend “for a case.” sherlock holding johns hand and saying, “for the case.” sherlock grabbing john and kissing him and then saying breathlessly, “for the case.” john thrusting into sherlock on their hotel bed, both of them filling the room with gasps and pants and john whispering, “for the case.”

posted 5 days ago with 2,035 notes , via , source - reblog

I like this picture because it’s like Sherlock’s in the rush of a case, and then he suddenly looks at you. He looks and stops, and sees something so amazing he has to keep looking until he finds out what it is that makes you so difficult to understand.


Stag Night - I don’t mind

Well here it is, my first nsfw Johnlock doll adventure. Click on the images to get a full look. You know how it works. This took me quite a bit of time so I hope you like it >:D 


The pictures from my Johnlock Coloured Smut Sketch Series thus far.
More of my johnlock
It has become quite the collection, I had really not predicted that when I started on the first one.

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#FUCK #nsfw
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Canon Evidence of Johnlock


Good lord the ACD canon is gay.

Like, seriously. I sincerely recommend that Johnlockers read NekosMuse’s Decoding the Subtext. Every last entry depicts increasingly strong evidence that John and Sherlock were always gayer than people overtly noticed. If the writers are…

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one day sherlock and john are going to pretend to be a couple for a case and once the case is over they’ll just forget to stop

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canon holmes meeting his 21st century self and hating him because he lives in a world where he can hold and kiss and MARRY watson and he’s too afraid to follow his heart ahahahahaha kill me

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